Following a few simple guidelines can greatly reduce the possibility of future damage to artwork. Its condition, the framing materials and techniques used, and the display environment all affect the future condition of art.
PRE-FRAMING Considerations
1. Art should be in the best possible condition.
2. Conservation prior to framing is an option that should be considered.
EIGHT RULES for Basic Preservation
1. All procedures must be reversible without damage.
2. The pH (acidity or alkalinity) of all materials used in contact must be compatible with the item.
3. All mat and/or mounting boards should meet current industry standards for permanence.
4. No paints and/or inks used shall bleed or migrate.
5. Backings shall remain flat and provide an environmentally stable surface.
6. Glazing shall provide maximum UV (ultraviolet light) blockage.
7. All art should be isolated from any potentially damaging material. (Only glass or metal provides an impermeable layer)
8. The frame should be hung using two properly installed wall hooks or equivalent method, and be spaced out from the wall to allow free airflow.
FOUR Display Recommendations
1. All light is detrimental. UV (ultraviolet light) is the most damaging, and lower light conditions are best.
2. Temperature and humidity should not very greatly or change rapidly.
3. Avoid high (above 70%) and very low (below 20%) levels of relative humidity.
4. All framed items should have a complete visual inspection annually. The inspection should include the framing package, display conditions, and hanging methods. Professional inspection and/or material replacement may also be required periodically.
CONCLUSIONS
1. Picture framing is not a permanent preservation treatment. The condition of the artwork at the time of framing has a significant effect on future condition.
2. Whenever there is a question concerning the condition of the artwork, a professional should be consulted.
3. No material or technique, including any attachment, should be employed that is not safe and reversible.
4. After framing, the ongoing condition and longevity of artwork is dependent upon the display conditions and periodic care and maintenance.
Long-term preservation is the result of proper framing, good display conditions, and periodic care.
This information is general and not absolute nor a guarantee of condition or longevity of any type of artwork as there can be special considerations that have not been addressed. Whenever there is a question regarding the care of artwork, it is best to seek professional help.
Presentation of Artworks