There are many decisions when matting and framing art on paper, but the basic objective is to present the art for viewing without distraction. It can be creative but should complement, not conflict, with the art. The artist has used color to give dimension, move the eye, and create interest. Matting and framing should not alter the art’s color, proportion, or balance.
Regardless of how many mats are used, the best top mat tone will be neutral: lighter than the dark areas and darker than the light areas of the art. Contrast or interest is created with additional mats, design or color accent. Picking a color in the art and repeating it in the matting may distract or alter the visual concept.
Mat borders must be balanced. Too large a border may overpower or minimize, just as too small does not give sufficient separation for the art. Some picture framers utilize corner samples to design mat size, color, and details. Others use computer technology to help customers visualize their artwork framed. Look at all four corners of the art to avoid an unsatisfactory choice. Good matting enhances viewing enjoyment as long as the art is seen first. The frame shape and design should complement both matting and art.
Matting Art on Paper