Picture framers are not all the same; framing has standards but is also an art. Choose a framer who is familiar with the type of art and framing that appeals to you. Since most picture framers depend upon referrals from previously satisfied customers, ask friends.
Visit the frame shops in your area. Most shops have examples in a showroom. Talk about your needs and about their conservation practices. Ask about how long it takes and the price. A clear understanding always produces a better relationship.
After discussing the art, its framing, and costs, you should have a good idea whether this framer will meet your needs. Framers often limit their type of work or specialize in one or more types of framing. It is common to be asked for a substantial deposit when ordering special items, and customary to pay in full when the work is picked up.
Memberships in professional associations and affiliations do not guarantee knowledge or quality of work, but they do indicate a professional attitude. It is not enough to look in the phone book and pick a framer. The choice can be as important as the choice of a physician. The professions are similar - little is known absolutely, and the learning process is constant. A diploma or certificate does not guarantee quality; most education comes with experience. However, a qualified framer has demonstrated that at some point in time they had the required knowledge and/or skills to pass objective examination. This also demonstrates a professional attitude. A professional never minds being asked to show his or her work, or to provide references when possible.
It is important to ask questions in order to thoroughly understand the procedures and risks involved. Beware of a framer who “knows it all”. No one lives that long. It is important to have confidence in your framer and his choice of materials and techniques because they will directly affect the condition and longevity of your artwork.
Most procedures are labor intensive requiring many hours of careful work that cannot be rushed. Beware of the quick and cheap job as it usually involves short cuts that can create greater problems later. In many cases, a higher cost of restoration or conservation is due to problems caused by the previous owner, artist, framer, or friend who tried to fix it. The messed up work must be undone before the real problems can be addressed. I cannot give you any more valuable advice than to say find qualified help.
PICTURE FRAMER